{"id":1018,"date":"2006-08-25T08:45:47","date_gmt":"2006-08-25T11:45:47","guid":{"rendered":"http:\/\/noticias.dac.org.ar\/?p=1018"},"modified":"2006-08-25T08:45:47","modified_gmt":"2006-08-25T11:45:47","slug":"primer-convocatoria-2006-ibermedia","status":"publish","type":"post","link":"https:\/\/noticias.dac.org.ar\/pt\/primer-convocatoria-2006-ibermedia\/","title":{"rendered":"PRIMER CONVOCATORIA 2006 IBERMEDIA"},"content":{"rendered":"

PRIMER CONVOCATORIA 2006 IBERMEDIA<\/span><\/p>\n

Resultados Aprobados en la IX Reuni\u00f3n Ordinaria del Comit\u00e9 Intergubernamental:
\nBogot\u00e1, Primer convocatoria: 12 y 13 de julio de 2006.<\/p>\n

Desarrollo:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/span><\/td>\nLa
\nmosca en la ceniza<\/span><\/td>\n		Arca
\ndifusi\u00f3n<\/span><\/td>\n		Argentina<\/span><\/td>\n<\/tr>\n
2<\/span><\/td>\nImagen
\nfinal sobre la vida de Leonardo H.<\/span><\/td>\n		H.
\nDubois – Habegger<\/span><\/td>\n		Argentina<\/span><\/td>\n<\/tr>\n
3<\/span><\/td>\nCabeza
\nde vaca en sudam\u00e9rica<\/span><\/td>\n		Raiz
\nProducoes<\/span><\/td>\n		Brasil<\/span><\/td>\n<\/tr>\n
4<\/span><\/td>\nAmor
\na venda<\/span><\/td>\n		Casa
\nCriacao Cinema<\/span><\/td>\n		Brasil<\/span><\/td>\n<\/tr>\n
5<\/span><\/td>\nLa
\nleyenda de Maku<\/span><\/td>\n		Dothe
\ny Kaiser Cigoto<\/span><\/td>\n		Colombia<\/span><\/td>\n<\/tr>\n
6<\/span><\/td>\nLos
\nviajes del viento<\/span><\/td>\n		Ciudad
\nlunar producc.<\/span><\/td>\n		Colombia<\/span><\/td>\n<\/tr>\n
7<\/span><\/td>\nEl
\nviento que regresa<\/span><\/td>\n		Alokatu
\nproducciones<\/span><\/td>\n		Espa\u00f1a<\/span><\/td>\n<\/tr>\n
8<\/span><\/td>\nMaybe
\nManagua<\/span><\/td>\n		Sixaola<\/span><\/td>\nEspa\u00f1a<\/span><\/td>\n<\/tr>\n
9<\/span><\/td>\nLos
\nliberadores<\/span><\/td>\n		Lusa
\nFilms<\/span><\/td>\n		Espa\u00f1a<\/span><\/td>\n<\/tr>\n
10<\/span><\/td>\nLos
\na\u00f1os rotos<\/span><\/td>\n		La
\nrabia Films<\/span><\/td>\n		M\u00e9xico<\/span><\/td>\n<\/tr>\n
11<\/span><\/td>\nEn
\nel interior<\/span><\/td>\n		Apertura
\nFilms<\/span><\/td>\n		Panam\u00e1<\/span><\/td>\n<\/tr>\n
12<\/span><\/td>\nComo
\nperro rabioso<\/span><\/td>\n		Detour
\nFilms<\/span><\/td>\n		Per\u00fa<\/span><\/td>\n<\/tr>\n
13<\/span><\/td>\nEl
\npata de cabra<\/span><\/td>\n		Equipo
\nCreativo<\/span><\/td>\n		Per\u00fa<\/span><\/td>\n<\/tr>\n
14<\/span><\/td>\nManko
\nInka<\/span><\/td>\n		Caracara
\nProducciones<\/span><\/td>\n		Per\u00fa<\/span><\/td>\n<\/tr>\n
15<\/span><\/td>\nAs
\nincreiveis aventuras de Dog M<\/span><\/td>\n		O
\npato profesional prod.<\/span><\/td>\n		Portugal<\/span><\/td>\n<\/tr>\n
16<\/span><\/td>\nO
\nManuscrito perdido<\/span><\/td>\n		David
\n& Golias<\/span><\/td>\n		Portugal<\/span><\/td>\n<\/tr>\n
17<\/span><\/td>\nTierra
\nde nadie (En el curso de la…) <\/span><\/td>\n		Propaganda<\/span><\/td>\nPuerto
\nRico<\/span><\/td>\n<\/tr>\n
18<\/span><\/td>\n
\nLa musa<\/span><\/td>\n		Factor
\n7 Omnimedia<\/span><\/td>\n		Puerto
\nRico<\/span><\/td>\n<\/tr>\n
19<\/span><\/td>\nLontano<\/span><\/td>\nLavor\u00e1gine<\/span><\/td>\nUruguay<\/span><\/td>\n<\/tr>\n
20<\/span><\/td>\n13
\nHoras<\/span><\/td>\n		Mandarina
\nfilms<\/span><\/td>\n		Uruguay<\/span><\/td>\n<\/tr>\n
21<\/span><\/td>\nEl
\nAlmanaque<\/span><\/td>\n		Coop.
\nMemo. y socied.<\/span><\/td>\n		Uruguay<\/span><\/td>\n<\/tr>\n
22<\/span><\/td>\nLa
\npr\u00f3xima estafa<\/span><\/td>\n		Lagofilms<\/span><\/td>\nVenezuela<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Coproducci\u00f3n:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1<\/span><\/span><\/p>\n<\/td>\n

\n

La
\nse\u00f1al<\/span><\/span><\/p>\n<\/td>\n

\n

Retratos
\nSRL<\/span><\/span><\/p>\n<\/td>\n

\n

Argentina<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span><\/span><\/p>\n<\/td>\n

\n

La
\nlluvia<\/span><\/span><\/p>\n<\/td>\n

\n

SB
\nProducciones<\/span><\/span><\/p>\n<\/td>\n

\n

Argentina<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

4<\/span><\/span><\/p>\n<\/td>\n

\n

Mart\u00edn
\nFierro<\/span><\/span><\/p>\n<\/td>\n

\n

Aleph
\nmedia<\/span><\/span><\/p>\n<\/td>\n

\n

Argentina<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

5<\/span><\/span><\/p>\n<\/td>\n

\n

Eu
\nprefiero amar\u00e9<\/span><\/span><\/p>\n<\/td>\n

\n

Taiga
\nfilms<\/span><\/span><\/p>\n<\/td>\n

\n

Brasil<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

6<\/span><\/span><\/p>\n<\/td>\n

\n

A
\nfesta da menina morta<\/span><\/span><\/p>\n<\/td>\n

\n

Bananeira
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Brasil<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

7<\/span><\/span><\/p>\n<\/td>\n

\n

Olhos
\nazuis<\/span><\/span><\/p>\n<\/td>\n

\n

Coevos
\nFilmes<\/span><\/span><\/p>\n<\/td>\n

\n

Brasil<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

8<\/span><\/span><\/p>\n<\/td>\n

\n

A
\nun metro de ti<\/span><\/span><\/p>\n<\/td>\n

\n

Rates
\nProducciones<\/span><\/span><\/p>\n<\/td>\n

\n

Chile<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

9<\/span><\/span><\/p>\n<\/td>\n

\n

Rojo
\nvivo<\/span><\/span><\/p>\n<\/td>\n

\n

ICAIC<\/span><\/span><\/p>\n<\/td>\n

\n

Cuba<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

10<\/span><\/span><\/p>\n<\/td>\n

\n

Unidad
\n25<\/span><\/span><\/p>\n<\/td>\n

\n

Astronauta
\nporducc.<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

11<\/span><\/span><\/p>\n<\/td>\n

\n

Un
\nbuen hombre<\/span><\/span><\/p>\n<\/td>\n

\n

Tornasol
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

12<\/span><\/span><\/p>\n<\/td>\n

\n

La
\nzona<\/span><\/span><\/p>\n<\/td>\n

\n

Morena
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

13<\/span><\/span><\/p>\n<\/td>\n

\n

Noctura<\/span><\/span><\/p>\n<\/td>\n

\n

Jaleo
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

14<\/span><\/span><\/p>\n<\/td>\n

\n

Cinco
\nd\u00edas sin Nora<\/span><\/span><\/p>\n<\/td>\n

\n

Cacerola
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

M\u00e9xico<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

15<\/span><\/span><\/p>\n<\/td>\n

\n

La
\nhistoria de los muros<\/span><\/span><\/p>\n<\/td>\n

\n

Fusi\u00f3n
\nAt\u00f3mica Panam\u00e1<\/span><\/span><\/p>\n<\/td>\n

\n

Panam\u00e1<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

16<\/span><\/span><\/p>\n<\/td>\n

\n

Dioses<\/span><\/span><\/p>\n<\/td>\n

\n

Chullachaki
\nProd.<\/span><\/span><\/p>\n<\/td>\n

\n

Per\u00fa<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

17<\/span><\/span><\/p>\n<\/td>\n

\n

El
\nPremio<\/span><\/span><\/p>\n<\/td>\n

\n

Aguadulce
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Per\u00fa<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

18<\/span><\/span><\/p>\n<\/td>\n

\n

Veneno
\ncura<\/span><\/span><\/p>\n<\/td>\n

\n

Clap
\nProducoes<\/span><\/span><\/p>\n<\/td>\n

\n

Portugal<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

19<\/span><\/span><\/p>\n<\/td>\n

\n

O
\nmisterio da strada de Sintra<\/span><\/span><\/p>\n<\/td>\n

\n

FF
\nFilmes<\/span><\/span><\/p>\n<\/td>\n

\n

Portugal<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20<\/span><\/span><\/p>\n<\/td>\n

\n

Flacas
\nvacas<\/span><\/span><\/p>\n<\/td>\n

\n

Lavor\u00e1gine
\nFilms<\/span><\/span><\/p>\n<\/td>\n

\n

Uruguay<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

21<\/span><\/span><\/p>\n<\/td>\n

\n

La
\nc\u00e1scara<\/span><\/span><\/p>\n<\/td>\n

\n

Salado
\nMedia<\/span><\/span><\/p>\n<\/td>\n

\n

Uruguay<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

22<\/span><\/span><\/p>\n<\/td>\n

\n

El
\npoca vida<\/span><\/span><\/p>\n<\/td>\n

\n

Guaz\ufffd
\nMedia<\/span><\/span><\/p>\n<\/td>\n

\n

Uruguay<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

23<\/span><\/span><\/p>\n<\/td>\n

\n

Habana
\nOolong T\u00e9<\/span><\/span><\/p>\n<\/td>\n

\n

Alter
\nProducciones<\/span><\/span><\/p>\n<\/td>\n

\n

Venezuela<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

24<\/span><\/span><\/p>\n<\/td>\n

\n

Cuidado
\ncon lo que sue\u00f1as<\/span><\/span><\/p>\n<\/td>\n

\n

Gess
\nProducciones<\/span><\/span><\/p>\n<\/td>\n

\n

Venezuela<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

25<\/span><\/span><\/p>\n<\/td>\n

\n

Buscando
\nla Lupe<\/span><\/span><\/p>\n<\/td>\n

\n

Perez
\nRosado P.<\/span><\/span><\/p>\n<\/td>\n

\n

Puerto
\nRico<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

26<\/span><\/span><\/p>\n<\/td>\n

\n

Qu\u00e9
\nculpa tiene el tomate<\/span><\/span><\/p>\n<\/td>\n

\n

Tic-Tac
\nproducciones<\/span><\/span><\/p>\n<\/td>\n

\n

Varios<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Distribuci\u00f3n y Promoci\u00f3n:<\/p>\n\n\n\n\n\n\n\n
\n

1<\/span><\/span><\/p>\n<\/td>\n

\n

Olga<\/span><\/span><\/p>\n<\/td>\n

\n

ICAIC<\/span><\/span><\/p>\n<\/td>\n

\n

Cuba<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span><\/span><\/p>\n<\/td>\n

\n

Una
\nRosa de Francia<\/span><\/span><\/p>\n<\/td>\n

\n

ICAIC<\/span><\/span><\/p>\n<\/td>\n

\n

Cuba<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span><\/span><\/p>\n<\/td>\n

\n

Madrigal<\/span><\/span><\/p>\n<\/td>\n

\n

Wanda
\nVisi\u00f3n<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

4<\/span><\/span><\/td>\nMi
\nmejor enemigo<\/span><\/span><\/td>\n		Wanda
\nVisi\u00f3n<\/span><\/span><\/td>\n		Espa\u00f1a<\/span><\/span><\/td>\n<\/tr>\n
\n

5<\/span><\/span><\/p>\n<\/td>\n

\n

Las
\nmantenidas sin sue\u00f1os<\/span><\/span><\/p>\n<\/td>\n

\n

Avalon<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Formaci\u00f3n:<\/p>\n\n\n\n\n\n\n\n
\n

1<\/span><\/span><\/p>\n<\/td>\n

\n

Instituto
\ndel Cine de Madrid<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span><\/span><\/p>\n<\/td>\n

\n

ESCAC
\n(Master documental)<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span><\/span><\/p>\n<\/td>\n

\n

Fondo
\npara la Investigaci\u00f3n del audiovisual<\/span><\/span><\/p>\n<\/td>\n

\n

Espa\u00f1a<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

4<\/span><\/span><\/td>\nASOCINE<\/span><\/span><\/td>\nPanam\u00e1<\/span><\/span><\/td>\n<\/tr>\n
\n

5<\/span><\/span><\/p>\n<\/td>\n

\n

Universidad
\nAut\u00f3noma de Lisboa<\/span><\/span><\/p>\n<\/td>\n

\n

Portugal<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Archivo: InfoDAC N\u00b064<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Desculpe-nos, mas este texto est\u00e1 apenas dispon\u00edvel em Espanhol Europeu<\/a>.<\/p>\n

Fueron dados a conocer los proyectos ganadores y suplentes del concurso sobre temas de ficci\u00f3n referidos a la identidad nacional, al que se presentaron directores y \/o productores que hubieran dirigido o producido 2 o m\u00e1s pel\u00edculas de largometraje<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_grids_gutter_x":"","_grids_wide_width":false},"categories":[20],"tags":[387,268,24,310],"_links":{"self":[{"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/posts\/1018"}],"collection":[{"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/comments?post=1018"}],"version-history":[{"count":0,"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/posts\/1018\/revisions"}],"wp:attachment":[{"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/media?parent=1018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/categories?post=1018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noticias.dac.org.ar\/pt\/wp-json\/wp\/v2\/tags?post=1018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}